Kramer projects both vulnerability and resilience on tracks like the erotically charged “Whiskey” and the emotionally complex “Good as You Were Bad.” She brings a smart, sassy attitude to uptempo songs like “King of Apologies” (a kiss-off tune set to a clap-along groove) and “One of the Boys” (a tomboy-style party number with Shania Twain overtones). Her production veers with ease from the swampy rhythm to moody balladry.

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