Since a young age, Michigan resident Thomas Meluch has been fascinated with the sounds of nature and tape decay—through almost a decade of recordings, he has fostered an infatuation with a sort of sonic density that combines remnants of pop song structures with the lushness and unpredictability of field recordings. A veteran drummer of a half dozen bands, Meluch chose guitar and voice as the primary instruments for his work as Benoît Pioulard. .
